MEMPHIS is bathed in natural light, the frame alive, yet the camera movement and montage purposeful, graceful and undeniably disciplined. The below imagery, from artists such as William Eggleston, Stephen Shore, Philip de Lorca, Robert Frank, Todd Hido, Gus Van Sant, Bruno Dumont, Clair Denis, Ezra Jack (yep) Keats and others – forecasts the film’s elegant, otherworldly yet entirely natural look.